You never know for sure who the bad guys are in this film and what their motives are and who they report to, but you can have a good guess. I really don’t see how an uncooperative relationship with your supervisor or in this case babysitter could be any more unconvincing with Walker’s elitist attitude and uncaring response towards a favour. There’s a lot at stake, but the technical stuff makes sense and is easy to follow. But there’s some great comic moments supplied by Pegg, and the set-ups with masks and sets are quite unpredictable too. There’s also some great locations. Stunts are plentiful and are unique, and when they’re not happening there’s generally a great deal of drama and suspense to observe. It’s all done very professionally and there’s hardly any diversion to get the girl since everyone is involved. You’ve just got to wonder if Hunt can ever say no.
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